20世纪80年代后期以来,“重写文学史”蔚为风潮,一方面呼应了极左年代终结后“拨乱反正”的思想趋向,另一方面亦彰显“文学史”写作在文学研究中的特殊地位(“哈佛版”即有“1988年7月1日,新时期思想解放语境中的‘重写文学史’”条目)。近三十年间,大陆学界对于中国现代文学史的“重写”所投注的热情有目共睹,其所生产的数以千计的文学史著作亦令人侧目。在此过程中,海外中国现代文学研究的经验和影响,特别是夏志清的《中国现代小说史》,对大陆 Since the late 1980s, “rewriting the history of literature” became a trend that echoed the trend of “chaos and chaos in any direction” after the end of the extreme left-hand era. On the other hand, “literary history” The Special Status in Literary Studies (“Harvard Edition”, that is, “July 1, 1988, ’’ Rewriting Literary History ’’ in the Era of Ideological Liberation in the New Era. In the recent three decades, mainland scholars have shown their passion for the ”rewriting“ of the history of modern Chinese literature. Thousands of literary history books produced by them are also striking. In this process, the experience and influence of overseas Chinese modern literature research, especially the ”History of Modern Chinese Fiction" by Xia Zhiqing,