第五代导演陈凯歌执导的影片多使用物的意象化,即寓意的方式与超越时空的艺术想象,来丰富与拓展电影形象的内涵。影片所表现的悲剧,不仅避免了对故事的表面叙述,而且通过人物在极端困境中的命运走向,对人物命运进行终极性思考,以此来提炼升华影片的哲理内涵。本文通过对陈凯歌电影文本中的意识形态层面进行分析,挖掘出他作品深处透析出来的生命哲学、情感指向以及对国家和民族深切关注的情怀。 The film directed by the fifth generation director Chen Kaige uses the imagery of the objects to enrich and expand the connotation of the movie image. The tragedy presented by the film not only avoids the surface narration of the story, but also carries forward the ultimate thinking of the fate of the characters through the fate of the characters in the extreme predicament to extract the philosophical connotation of the sublimated films. By analyzing the ideological level in Chen Kaige’s film texts, this thesis digs out the philosophy of life, the emotional orientation and the deep concern for the country and the nation.