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对回族民间文学学科的界定历来都是许多学者讨论的重点,但从近20年来出版的回族文学、回族民间文学和回族文化学等著作来看,许多学科的学者对回族民间文学学科界定大都单纯地从本学科视角出发,得出的结论也就略显得不够全面。因此,回族民间文学不是单纯的某一学科的概念,它应是一个从民间文学学科本体出发的复合型概念,即含有民族的属性特征、民间文学的本体论特征、文学的审美属性特征和生活属性特征。因此,回族民间文学界定既要突出民族的属性特征,也要强调文学的民间状态和回族民众这一群体的集体口头创作和传承的特征。
The definition of the discipline of Hui folk literature has always been the focus of discussion by many scholars. However, according to the works of Hui literature, Hui folk literature and Hui culture published in the past 20 years, scholars of many disciplines mostly define the subjects of Hui literature. From the perspective of this subject, the conclusion drawn also slightly less comprehensive enough. Therefore, the Hui folk literature is not simply the concept of a certain subject, it should be a composite concept starting from the subject of folk literature, that is, the characteristics of the ethnic group, the ontological features of the folk literature, the aesthetic characteristics of the literature, and the life Attribute characteristics. Therefore, the definition of folk literature of the Hui nationality should not only emphasize the attribute characteristics of the nation, but also emphasize the folk state of literature and the characteristics of collective oral creation and inheritance of this group of Hui people.