相传沈周并未去过庐山但却为何有《庐山高图》呢?其实这不难理解,宋代沿袭后蜀和南唐图画院之制,至此南北各地画家集聚京师相互学习借鉴,从而出现了虽未见此景却有此画的新现象。而到了明代,山水画又有了更大的发展和进步,又有前人的书画可以借鉴参考,故而,沈周虽未去过庐山却有《庐山高图》也就不足为怪了。反而由此折射出沈周得集大成。 According to legend, Shen Zhou Zhou has not been to Lushan, but why there is “Lushan high map”? In fact, it is not difficult to understand, followed by the Song Dynasty and the South Tang Painting Institute of the system, the North and South painters gathered around the capital to learn from each other, which emerged though There is no such scene but there is a new phenomenon of this painting. However, in the Ming Dynasty, the landscape painting had a greater development and progress, and the painting and calligraphy of the predecessors could be used for reference. Therefore, it is not surprising that Shen Zhou had not yet been to Mount Lushan but had “Lushan High Figure.” Instead, it reflects the Shen Zhou gathered Dacheng.