袁振西先生浸淫丹青既久,初为具象山水,论画以形似,见与儿童邻,自是一番可人形象,后投奔京门,忽有悟,祛甜俗,除媚态,遂有像外之像、景外之景、言外之旨、韵外之致的面貌。荡思八荒,游神万古,国画有此气象,而无此面貌,所谓笔墨能绘有形,不能绘无形,能绘其实,不能绘其虚也。程式者,或恬淡闲适,舒绅缓带;或晓林落索,春雨飘萧;或形单影只,茕茕孑立;或雍容大雅,遗世独立。此面貌使画面不再是静止刻板、一仍旧贯之态,而得了简率疏朗、清脱逸格、天真淡简、形之草草之气,故有的二维空间为之一破,失却约限的不仅是笔墨,无边无际之感,乃时空上的无界域,更是思绪上天马行 Mr. Yuan Zhenxi immersed in Danqing for a long time, the beginning of the concrete landscape, on the painting to seemingly similar, see children and neighbors, is some pleasant image, after the vote to Beijing Gate, suddenly enlightenment, eliminate sweet customs, in addition to Mei state, then like The image of the outside, King King scene, the purpose of the word, the appearance of rhyme outside. Scrambling eight famine, tour God forever, Chinese painting has this meteorology, but no such appearance, the so-called ink can be painted invisible, can not be painted invisible, can be painted in fact, can not paint the empty also. Programmers, or tranquil and comfortable, comfortable gentle belt; or Xiao Lin fall, Xiao Yu Xiao spring; or form a single shadow, 茕 茕 solitude; or elegant, independent of the world. The face of the picture is no longer static stereotypes, a still consistent state, and have been simple and easy to escape from Georgia grid, naive streamlined, the hasty climate, so one of the two-dimensional space for one broken, lost about Limit is not only the pen and ink, boundless feeling, is the timeless boundless domain, but also his thoughts