20世纪的中国文艺批评的主流是马克思主义文艺批评,它坚守意识形态的批判立场,致力于社会历史文化的批评。“20世纪中国文学批评大体上形成了三大形态系统:一是社会——文化批评形态系统,包括现代以来的”五四“文化批评、社会历史批评、新人文主义(新古典主义)批评和80年代以来的历史文化批评;二是审美批评形态系统,包括王国维、郭沫若、周作人至京派的审美批评和80年代的泛个性主义审美批评、文本语言批评;三是解构——重构批评形态系统,包括后现代 The mainstream of Chinese literary criticism in the 20th century is Marxist literary criticism. It persists in the ideological critical position and devotes itself to the criticism of social history and culture. ”The twentieth Century Chinese literary criticism generally formed three major morphological system: First, social - cultural criticism form system, including the modern“ May Fourth ”cultural criticism, social and historical criticism, neo-humanism (neoclassical ) Criticism and the historical and cultural criticism since the 1980s; second, aesthetic criticism and morphological system, including Wang Guowei, Guo Moruo, Zhou Zuoren to the Beijing School aesthetic criticism and pan-individualist aesthetic criticism and text language criticism in the 1980s; third, deconstruction - Reconstruct the critical form system, including postmodernism