在圣经中弥赛亚代表了犹太人对未来的期许,象征着拯救或救赎。文本层面的“弥赛亚”主要体现在圣经作者的叙述中,而历史与宗教层面的弥赛亚则贯注于犹太人的历史和宗教中。二者相互结合而逐渐形成犹太人的“弥赛亚”传统,凝聚起大流散年代犹太人的希望。阿格农小说中蕴藏着对弥赛亚典故的直接化用,弥漫着弥赛亚观念,更包含着由弥赛亚引申而来的“抵达之困惑”意识。这种类似于“等待戈多”的现代性体验成为阿格农小说思想性的重要表现,亦即阿格农小说现代意识的独到之处。 In the Bible, the Messiah represents the Jewish promise of the future, symbolizing salvation or redemption. The “Messiah” at the text level is mainly reflected in the narrative of biblical writers, while the Messiah at the historical and religious levels focuses on Jewish history and religion. The combination of the two gradually formed the “Messiah” tradition of the Jewish people and brought together the hope of the Jewish people of the Great Recession. Agnin’s novels contain direct use of the Messianic allusions, permeating the concept of the Messiah, but also encompassing the “perplexity of arrival” consciousness derived from the Messiah. This kind of modernity experience similar to “Waiting for Godot” becomes the ideological important expression of Agnong’s novels, that is, the uniqueness of Agnin’s novel’s modern consciousness.