一设计作为一种生物性与社会性的生存方式,推其渊源,它应当与人类的发展同步,却直到百余年前才为人关注。中国虽然于上世纪二三十年代就拥有庞薰琹、陈之佛等优秀的设计家和设计教育家,但是长期以来,设计迟迟未能完全走出“图案”、“工艺”乃至“装潢”的狭义范围,1999年艺术设计才 As a biologically and socially viable way to promote its origin, it should be synchronized with the development of mankind. However, it was not until a hundred years ago that people were concerned about it. Although China had excellent designers and design educators such as Pang Hsuan-hsien and Chen Zhifu in the 1920s and 1930s, for a long time, the design had not been completely out of the “pattern”, “craft” and even “decoration ”The narrow scope of art design in 1999 was