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中国画坛有人认为:“海上画派,任伯年之后能达到‘无美不收’的艺术表现力,鲜有其人,如果说仅瑜翁一人也不过分。”毋庸讳言,此语是评者对画家的溢美之词。然海派画家孔小瑜的确是一位传统功力极深的绘画多面手,不仅擅长花鸟、走兽,也精于山水人物,出古入今,把明清以来的博古画演绎到生动自然、前无古人的境地。因此,誉称他为“任伯年后海上画派的又一位重要的代表性画家”并不为过。
Some people in the Chinese painting circles think: “There is very little art expression in the painting school of the sea that can achieve ’no beauty’ after Ren’s year of existence, if only one person can not be overemphasized.” Needless to say, Commentator is a beautiful word for the painter. However, the Shanghai school painter Kong Xiaoyu is indeed a very versatile master of traditional painting. He is not only good at flowers, birds and animals, but also good at landscape figures. From ancient times to the present, the ancient paintings from the Ming and Qing Dynasties have vividly been translated into vivid and natural no precedents. Therefore, it is not an exaggeration to call him “another important representative painter of the Maritime Painting School after Ren Bian years.”