《画刊》:你以往作品多画身边人,近二三年却常作文化名人肖像。主题为何由“熟”转“生”呢?汪莺莺:从画身边的人过渡到描绘和自己有一定距离的世界的人和事,对我来说是一种必然。比如《名人肖像》和《关系》系列的主题,其实是我一直都想画的。我是有电影情节的人,这两个系列里的作品,有很多素材源自电影的截图,它们表达了我对影片中某个视觉瞬间的感受。 “Pictorial”: your past works more people around the painting, nearly twenty-three years often make celebrity portrait. Why does the theme change from “familiar” to “born”? Wang Yingying: It is inevitable for me to make a transition from drawing people around to drawing a world where people are separated from themselves. For example, the theme of “Celebrity Portraits” and “Relationships” series is actually what I always wanted to draw. I am a movie plot, and in both series there is a lot of material from the screenshots of the movie that expresses my feelings about a visual moment in the film.