以《愁听猿声梦里长》(作于1990年)为标志,徐惠泉的绘画创作完成了一次从水墨向彩墨的转变。在这幅作品中,虽然仍是以水墨意趣而塑造人物,但比他从前的作品,则更多地运用了色彩的表现手段,特别是金粉的施用,更为作品平添了富丽的景象,这使他初步领略到色彩在视觉表述和画境营造上的重要。此后,他的《扇》系列就是在这种思路之下而色彩与水墨并 Marked by “Worrying about the Sounds of ape’s Dreams” (1990), Xu Huiquan’s paintings have completed a shift from ink painting to ink painting. In this work, though it is still based on the ink and wash characters, but more than his previous works, the more use of color means of expression, especially the application of powder, but also adds to the works of the beautiful scene, which Make him initially understand the importance of color in the visual expression and the creation of the painting. Since then, his “fan” series is under this line of thinking and color and ink