也许,诗所展示的始终只是一种纯粹的生命意识。这种意识寓于我们周围外观上显得杂乱无章的生活或语言现象之中,而且是在它们之间建立审美秩序的唯一依据。现象越零乱,这种意识的纯粹就越容易为人们所察觉。基于这一点,诗的笔触应该呈现出一种无所不在的随意化倾向,以更快的跳跃变换审美角度,以期获得陌生化效果。从另一方面讲,审美角度也就是在这种纯粹意识的制约下趋向 Perhaps the poem shows is always just a pure sense of life. This awareness lies in the cluttered appearance or linguistic appearance of our surroundings and is the sole basis for establishing an aesthetic order between them. The more clutter of the phenomenon, the more purely this awareness is perceived by people. Based on this, the poetic strokes should show a ubiquitous casual tendency to change the aesthetic point of view with a faster jump in order to obtain unfamiliar effects. On the other hand, the aesthetic point of view also tends to be restricted by this pure consciousness