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采访之前在网上搜了一下“奚志农”三个字,结果出现了76页的媒体采访内容。媒体不约而同的选择和长期的关注,是因为奚志农太出色还是因为中国的野生动物摄影师高手寥寥无几?或许你偶尔也会看到一些摄影师拍摄的野生动物作品非常不错,选出精彩的单张,作品效果甚至可以与长年拍野生动物的奚志农的作品相媲美。自然摄影就是这样,除了技术还是个运气活,有时你千寻百觅却也找不到蛛丝马迹,而守株待兔却能大获收益。而本次奚志农的讲解会告诉我们,看似难以掌控的野生动物摄影,其实也有很多窍门和秘密。而且,精彩也并非是评判一幅生态摄影作品的唯一标准,这里,奚志农会告诉我们自然摄影自有的价值评判体系。
Before the interview, I searched the internet for the words “Xi Zhinong”, resulting in 76 pages of media interviews. The media’s consistent and long-term focus is on whether Xi Zhi-nong is so good or because few wildlife photographers in China are very few? Maybe you’ll occasionally see some of the wild animals that photographers have photographed very well and pick out wonderful leaflets , The effect of the work can even be comparable with the works of Xi Zhinong who has been making wildlife for years. Natural photography is the case, in addition to technology or a luck, and sometimes you are looking for but can not find any clues, and stay on top for great benefits. However, this explanation of Xizhi Nong tells us that there are actually many tricks and secrets to wildlife photography that seem hard to control. Moreover, the best is not the only criterion for judging an ecologic photography. Here, Xi Zhi-nong will tell us the natural value-judging system of nature photography.