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鲁迅先生的作品,就象金碧辉煌的宫殿,你随便往壁上敲击都可能发现一块新的宝石,迸溅出使你惊奇的光来。就说他的第一篇白话小说《狂人日记》吧,多年来,该有多少人探讨过:可是我们仍能从中再发掘再寻觅。一,“妹子才五岁”析“ 我捏起筷子,便想起我大哥:晓得妹子死掉的缘故也全在他。那时我妹子才五岁”。为什么死掉的妹子是五岁?人们会认为是作者顺手写下不值得研究。然而只要留心一下后文“记得我四五岁时”便不难发现,“五岁与“四五岁”不仅是字面(形式)上的巧妙照应,而且在涵义上有着内在联系。
Mr. Lu Xun’s work is like a magnificent palace. You may find a new jewel by hitting the wall casually, and splashes of light that surprises you. Let’s say his first vernacular novel “The Madman’s Diary”. Over the years, how many people have discussed it: However, we can still dig for it again. One, “Sister is only five years old,” “I picked up the chopsticks, then I remembered my big brother: knowing that the sister died because of all his sake. My sister was only five years old.” Why is it that the dead girl is five years old? People think that it is not worth studying. However, as long as we look closely at the “remember when I am 4 or 5 years old” in the later articles, it is not difficult to find that “five years old and “four or five years old” are not only literally (formal) clever but also intrinsically linked.