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朱熹虽然是理学家,但在中国文学批评史上仍有其关键性的地位,从唐宋古文家的文论,乃至理学家的文论,至朱熹,奠定“文以载道”的文学观,蔚为千年来文学批评的主流之一。理学家的诗,旨在载道,欠缺艺术性。往往流于重理趣轻情趣,但朱熹的诗,仍有可观者。本文拟从以下三端探讨朱熹的诗境与心境:一、朱熹的诗观,二、朱熹的诗境,三、朱熹的心境。一、朱熹的诗观朱熹的诗观,一言以蔽之,曰:文以载道。文与道的关系,自唐柳冕发其端,以为文章本于教化。《答衢州郑使君论文书》:
Although Zhu Xi is a philosopher, he still has its pivotal position in the history of Chinese literary criticism. From the literary theory of ancient literati in the Tang and Song Dynasties and literary theory of the philosophers to Zhu Xi, Zhu Xi lays the foundation for the literary One of the mainstream of literary criticism in the past millennium. Neo-Confucian poetry, aimed at carrying, lacking in artistry. Often flow in the heavy interest, but Zhu Xi's poem, there are still observers. This article intends to explore Zhu Xi's poetic mood and state of mind from the following three aspects: First, Zhu Xi's poetry, second, Zhu Xi's poetry, three, Zhu Xi's mood. First, Zhu Xi's poetry Zhu Xi's poem, in a nutshell, saying: Wen to carry. The relationship between the text and the road, since the Tang and Liu Mian send its end, that the article is enlightenment. “A Quzhou Zhengshi Jun thesis”: