“自我追寻”一直是村上文学世界中的重要主题,但此主题在文学原点《且听风吟》和最新力作《没有色彩的多崎作和他的巡礼之年》(以下简称《巡礼之年》)中的体现并不相同。从东京生活体验、分身关系、巡礼等方面入手,分析两部作品中“自我追寻”的差异并剖析其形成原因,对于更全面地了解村上春树的文学世界具有重大作用。 Self-Tracing has always been an important theme in Murakami’s literary world. However, this theme is based on the literary origin, “Listening to the Wind” and the latest masterpiece, “Colorless Dozaki and his Year of Tours” (hereinafter referred to as “ Year ”) is not reflected in the same. Starting from the experience of living in Tokyo, the relationship between husband and wife and the ceremony, analyzing the differences between the two works and analyzing the reasons for their formation is of great significance for a more complete understanding of Haruki Murakami’s literary world.