应璩是建安文学向正始文学过渡的一位重要人物,他的《百一诗》通俗而不乏诙谐,除了政治主题外还蕴含着平民主题,极富个人特色。《百一诗》平民主题的形成和时代转移有深刻的关系,是建安乐观积极、建功立业的文学精神在曹魏后期政治状况日趋险恶的环境下逐渐分化转变的结果。应璩开辟了“俳优”和“佯狂”之外士人在险恶政治环境中保持真实自我的第三种选择,和百余年后的陶渊明声气相投。 It should be an important figure in Jian’an literature’s transition to the beginning of literature. His “100 poems” are popular and witty. Besides the political theme, they also contain the theme of civilians and are very personal. The formation of the civilians theme in “Baiyishishi” has a profound relationship with the shift of the times. It is the result of the gradual division and transformation under the circumstance of increasingly deteriorating political conditions in the late Wei and Wei dynasties. The third choice that gentlemen should maintain their true self in the sinister political environment should be opened up in addition to being “pretentious” and “pretentious” and more than a hundred years after Tao Yuanming was congenial.