论文部分内容阅读
如果说,中国美术学院作为20世纪中国美术史的缩影,展示了我们这个变革时代的普遍性质,那么,寄寓其间的中国画系,则以尤为鲜明的消长变化,记录着时代前进的规迹。值此隆重举办走向21世纪大型院展之际,对中国画系的发展历程作一番结构分析,不仅有助于审视既往的岁月,而且为我们站在90年代的新起点上重新提供了观照的聚焦。当然,由于篇幅所限,本文只能通过一些相关的结构要素作宏观巡视,而无法就更多的感性材料作细致剖析,故难免有见
If China Academy of Art, as a microcosm of the history of Chinese art in the 20th century, shows us the universal nature of this era of change, then the Chinese painting sent in between us records the progress of the times in a very distinctive way. On the occasion of this solemn move towards the large-scale hospital exhibition in the 21st century, a structural analysis of the development of the Chinese painting system will not only help to examine the past, but will also provide us with a renewed focus on the new starting point of the 1990s . Of course, due to space limitations, this article can only be macroscopic inspection by some related structural elements, and can not be more detailed analysis of more sensitive materials, it is inevitable see