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“神仙道化剧”是中国古代戏曲的重要组成部分,它随着全真教的出现而出现,以神仙度脱的故事情节体现着全真教超脱世俗潜心修道的教义。然而随着时代的发展,神仙道化剧也相应发生了一些变化。本文以双红堂藏清末民初京调折子戏《大劈棺》为例,将其与明代谢国的“庄周戏妻”戏《蝴蝶梦》进行对比,发现两者之间的区别,揭示出其中变化的具体表现,并浅析其变化原因。
Divine Immortality Drama is an important part of ancient Chinese drama. It emerged with the emergence of Quanzhen Buddhism. The story of immortality shows the doctrine that Quanzhenism devoted itself to worldly devotion. However, with the development of the times, there have been some changes in the immortal drama. This article compares Shuangshidang with the “Diablo coffin” in Beijing during the late Qing dynasty and early Republic of China, and compares it with the Butterfly Dream in the Ming Dynasty, and finds the difference between the two , Reveals the concrete manifestation of the changes therein, and analyzes the causes of the changes.