将新时期文学置放在中国 “现代性文学”与 “国际大背景”下进行观照， 阐释了与前者存在的“参与”、“师承”、“扬弃”的多重关系， 说明了它功不可没的艺术成就； 与后者的比较分析， 重在揭示其不足： “失去了的文化感”没有从深层次得到根本改变， 对看似合理的当下存在缺乏深刻而独特的置疑精神 The new period literature is placed under the background of “modernity literature” and “international background” in China, explaining its multiple relationship with “participation”, “teacher commitment” and “sublation” existing in the former, demonstrating its contribution . The comparative analysis with the latter mainly focuses on revealing its inadequacies: the “lost sense of culture” has not been fundamentally changed from a deep level, and there is a lack of profound and unique suspicion about the seemingly reasonable present existence