当代中国城市美学面临困境:中国现在的建筑缺少一种当代性,正在发展的城市暴露了可怕的问题——我们的新建筑只是一些杂乱无章的堆砌,城市没有一种活力。再者,很多城市把老房子都拆了,旧的街道改造成笔直的大马路,交通却依然堵塞。城市成为既没有当代性又没有历史的综合体,大而无当的综合体。栗宪庭面对城市问题慨叹:“我们对什么是现代城市文化基本无认知。我们的城市化是在功利主义,甚至是私人利益的基础上开始的。”全球化在中国的最大表征莫过于城市的发展,尤其是趋向都市化的城市建筑。遗憾的是,城市形成了大量大杂烩式的城市建筑景观,大 Contemporary Chinese aesthetics is in a dilemma: China’s current architecture lacks a contemporary character. The developing cities have exposed the dreaded problems - our new buildings are just a little messy and the city has no vitality. Moreover, many cities have demolished the old houses and transformed the old streets into straight ones. The traffic is still blocked. The city has become neither a contemporary nor a historical complex, a large, incomprehensible complex. Li Xixian lamented the question of the city: “Our basic understanding of what is modern city culture, our urbanization is based on utilitarianism and even private interests. ” The largest characterization of globalization in China Mo Too over urban development, especially toward urbanized urban architecture. Unfortunately, the city formed a large number of hodgepodge of urban architecture landscape, large