好作品一定要用好的形式呈现。这次国展明确提出反对过度拼接、染色等手段的运用,提倡自然的书写状态。我是极为反对为形式而形式创作的。我们学古人的书法传统,并不是机械地去照搬古人。即使把作品弄得像出土文物般的酷似古人,也只是古人的躯壳而已,这样的作品只能得意受宠一时。用笔千古不易,结字需因时而变,没有时代特色的作品的结局只能被历史无情地 Good work must be well presented. This time, the International Exhibition clearly put forward to oppose the use of excessive splicing and dyeing and other means to promote the writing state of nature. I am extremely opposed to the formal form of creation. We learn the ancient calligraphy tradition, not mechanically to copy the ancients. Even if the work is made like an ancientry like the unearthed relics, it is only the ancients’ body. Such works can only be favorably favored. Era of pen is not easy, knot words need to change from time to time, there is no epoch-making works of the outcome can only be history mercilessly