李涵秋是清末民初与林纾、包天笑齐名的“小说三大家”之一。其三十六岁之前主要是一位诗人,曾经领袖武汉诗坛。其长达二十年的诗歌创作逝后被友人编年结集为《沁香阁诗集》,共三百四十余题六百多首。若以体裁论,近体律绝占大多数,有五百一十多首,古体和歌行体一百多首。以其二十九岁(1902)为界,其诗风格前后变化明显。前期诗作三百余首,且多为简短的写景抒情之律绝,体现出以绮语呈疏狂的风格;后期诗歌体裁多样化,尤其长篇古体和歌行体的大量熟练写作,展示了诗人抒情方式的进步,由于生活面的拓宽,诗歌内容也更加丰富多样,表征为以平淡蕴沉郁的风格。对沁香阁诗进行深入研究,具有填补学界空白的意义。 Li Hanqiu is one of the three novels of the novel written by Lin Shu and Bao Tian in the late Qing Dynasty and early Republic of China. Before the age of 36 was mainly a poet, once the leader of the Chinese poetry circles. His twenty-year-long poem has been compiled by his friends for the collection of “Qin Xiang Ge Poems,” for a total of more than 340 questions over 600 first. If the genre theory, most of the recent law of the absolute majority, there are more than more than five hundred, ancient and song body more than 100 first. With its twenty-nine years of age (1902) as a boundary, its poetry style changes significantly before and after. There are more than 300 pre-poems, and most of them are the law of lyric writing briefly. They reflect the sparse style of Qi poetry; the versatile styles of later poems, especially the long archaic and versatile writing styles, show the poet’s lyrical way As a result of the widening of the life, poetry content is also richer and more diverse, which is characterized by a melancholy style of flatness and gloominess. Studying Qinxiang Pavilion Poems in depth has the meaning of filling in the blank of the academic circles.