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朱践耳的《序曲第二号“流水”》是以云南民歌《小河淌水》为基础创作的变奏曲,其以民歌为骨架音,将中国五声调式与西方作曲技法相结合,使作品在有坚实作曲技法的基础上,保持了中国民歌宛转悠扬的特点。本文从五声性手法、调式布局两方面对作品的五声性手法及其中的西方传统技法进行探究。
Zhu Jian’er’s “Overturning No. 2” “Water” is a variation based on the folk song “Xiao He Tang Shui” in Yunnan Province. It combines folk songs as the skeleton sound and the Chinese five-tone mode with western composition techniques to make Based on a solid composition technique, the works keep the characteristics of Chinese folk songs melodious and melodious. This article explores the five accent techniques and the western traditional techniques from the five accent techniques and the adjustable layout.