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明嘉靖李元陽本《十三經注疏》上接宋、元十行本,下啟監本、毛本及殿本,在《十三經注疏》版刻鏈條中佔據重要地位,對明以後至今日經典文本的面貌有深刻影響。本文通過李元陽本《春秋穀梁注疏》與宋、元十行本及明清諸本的比較,初步考察了其文本來源、版式體例特點、異文特徵,探討其對後世諸本的影響,及在今日經籍校勘整理中可能發揮的作用,由此也可獲得對李元陽本《十三經注疏》的深入認識。
The Ming Jiajing Li Yuanyang The “Thirteen Classic” is a collection of Song, Yuan and ten lines, under the supervision of this, Mao and Temple, in the “Thirteen classics note” version of the engraved chain occupies an important position in the Ming to the present day The face of classic text has a profound effect. In this paper, through the comparison of Li Yuanyang’s Spring and Autumn Gu Liang Zhushu with the Song, Yuan and Jin Dynasties and the comparison between Ming and Qing dynasties, this paper examines its source of texts, typographical features and features of different languages, In the collation of modern Chinese collation may play a role, which can also be obtained on the Li Yuanyang, “Thirteen Description” in-depth understanding.