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西方价值一直是电影理论的基石。原封不动地转译西方电影理论,不仅会造成价值的错位,而且还会产生知识范式的失效。运用失效的知识范式解释与说明不同价值环境下的电影现象一直成为中国电影知识界的普泛研究路数。为此,寻求新的价值起点以重构电影理论,不仅是中西学术话语权博弈的需要,还是矫正与创新西方电影理论,推演中国学派电影理论的重要努力。
Western values have always been the cornerstone of cinematic theory. Translating the western film theory without any change will not only result in the dislocation of value, but will also lead to the failure of the knowledge paradigm. Using the invalid knowledge paradigm to explain and explain the film phenomenon in different value environment has become the universal research road of the Chinese movie intellectual community. Therefore, finding a new starting point of value to reconstruct the film theory is not only the need of the academic discourse power between China and the West, but also the important effort of correcting and innovating western movie theory and deducing the Chinese school movie theory.