段君我跟粟子已经认识很长时间了,一直非常关注她的作品,我认为她的作品折射出了中国当代绘画里面其中一些现象。我一直以来对于中国绘画里的这种神秘主义和象征主义都有关注,栗子作品中就有这样一个倾向。粟子抛弃掉了当代女性艺术中常见的色彩斑斓、柔美的女性信息,使用一种比较中性的,甚至有一种男性的力量来表达自己对神秘之物的探究。我看她早期的作品是表现一种个体生命的关注,然后最近的一批作品我以为她应该是从个体到了社会,对这个社会文化面临的很多困境,这些困境就像她这些困兽一样,在挣扎,让观者可以展开一些思考。展开什么思考呢?就是我们现在面临的困境,已经失落的文明,失落 Duan Jun I and Suzi have known me for a long time and have always been very concerned about her work. I think her work reflects some of the phenomena in contemporary Chinese paintings. I have always been concerned with this mysticism and symbolism in Chinese painting, and there is such a tendency in Chestnut’s work. Abandoned the colorful and soft female information commonly found in contemporary female art, Shuguang uses a more neutral and even a male force to express her inquiries into mysterious things. I think her early work is to show the concern of an individual life, and then a recent batch of works I think she should be from the individual to the community, for this social culture, many difficulties, such difficulties as her beast, In struggling, so that viewers can start some thinking. What do you think? This is the dilemma we now face, the lost civilization, the lost