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本文以活跃在武汉市平湖门地带的业余楚剧戏班为考察对象,试图从地理-自然、空间-位置的角度,对楚剧演出何以重现于城市街头这一文化现象进行阐释。
Taking the amateur Chu Opera troupe active in the Pinghu Gate of Wuhan City as an example, this article attempts to explain how the Chu drama reappears in the city streets from the perspective of geography, nature and space.