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作为现代童年诗学的一个核心和基础范畴,童年的纯真在现代以降的文化史上被赋予了独特的诗学内涵。在愈演愈烈的当代文化消费潮中,这一纯真童年的意象被卷入大众文化(尤其是视像文化)的生产和消费环节,其文化价值也由此被迅速转化为可观的经济价值。消费经济在借助童年纯真的诗学符号来赋予相关产品以特殊的文化价值方面无疑取得了显在的成功,但它对于纯真童年形象及其诗学内涵的过度征引,也在扼杀着童年纯真内在的诗学精神。
As a core and basic category of modern childhood poetics, childhood innocence has been given unique poetic connotation in the modern era of cultural history. In the increasingly intense consumption of contemporary culture, the image of this innocent childhood is involved in the production and consumption of popular culture (especially visual culture), and its cultural value is rapidly transformed into considerable economic value. The consumer economy has undoubtedly achieved remarkable success in using the innocence of childhood poetics to give related products a special cultural value. However, its excessive attraction to the pure childhood image and its poetic connotation also stifles innocence in childhood Poetic spirit.