知青的时代已经越来越远,对于回忆者来说,时间淘洗之后余下的东西,自然已经沉淀在其生命深层,无论是屡屡抚摸的温暖体验还是极力遮掩的苦痛疤痕,都是这样。数十年来的知青叙事经历了纪实与虚构反复交织的历程,最初作为一种影响广泛的社会文化思潮,后来逐渐转化为部分作者的个人体验与文学书写。由于特定的历史语境,知青叙事基本上都把“文革”设置为一种阴郁的背景,如梁晓声的《今夜有暴风雪》;研究者自然也都将“文革”理解为一种灾难 The era of educated youth has been farther and farther, for the memories, the time after the panning elucidation of the things that have naturally precipitated in their lives, whether it is repeatedly touched the warm experience or hard to hide the pain scars, are true. Decades of educated youth narration has undergone repeated relics of fiction and fiction. Initially, as a social and cultural trend of influence, it gradually transformed into the personal experience and literary writing of some of the writers. Due to the specific historical context, the narrative of educated youth basically set the “Cultural Revolution” as a gloomy background, such as Liang Xiaosheng’s “Tonight with a Snowstorm”; researchers naturally also read “Cultural Revolution” as a disaster