《表演诗学》(彭万荣著,中国社会科学出版社2003年出版)把表演作为一门学科来思考,提出了一套完整的、独立的理论体系。它从表演关系的视角去论述表演在戏剧创作中的地位与作用,填补了这方面的理论空白。首先,表演关系说从戏剧创作的表面形态出发,论述了表演在戏剧创作中的重要 Performance Poetics (written by Peng Wanrong and published by China Social Sciences Press in 2003) considers performance as a subject and proposes a complete and independent theoretical system. From the perspective of performance relationship, it discusses the position and function of performance in drama creation and fills the blank of theory in this respect. First of all, the relationship of performance shows that from the surface appearance of drama creation, it discusses the importance of performance in drama creation