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肖邦是近现代音乐史上一个很难逾越的高度,他的作品既热情奔放又充满浪漫气息,肢体细腻富有吸引力。谐谑曲最早在17世纪的意大利作为一种音乐体裁出现,直至贝多芬的创作才成为正式的音乐形式。肖邦在保留其三拍子创作特点的基础上,创造性的将其作为一种独立的题材来创新,内容上充满了复杂的戏剧情感。本文从肖邦《降b小调谐谑曲》的创作背景和演奏方面进行浅析,从而使演奏者能够更完美的诠释这部作品。
Chopin is a very insurmountable height in the history of modern music. His works are both passionate and full of romance, delicate and attractive. Scherzo first appeared in Italy as a musical genre in the 17th century until Beethoven’s creation became the official form of music. Chopin, on the basis of preserving the characteristics of his three-beat writing, creatively innovated it as an independent subject, and the content is full of complex drama emotions. This article analyzes the background and performance of Chopin’s “Scherzo in B minor”, so that the performer can interpret this work more perfectly.