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本文从比较文学的研究角度出发，将我国新时期朦胧诗与西方象征派诗在以下三个层面上做了比照分析：一、两者的生成背景；二、两者的主题意蕴；三、两者的审美观点。本文认为，朦胧诗虽然积极借鉴了西方现代文艺的表现形式，但在主题意蕴方面却渗透着强烈的民族忧患意识和英雄主义情份，基调基本上是积极向上的，因此难以将它归入现代主义的艺术流派，它可以说是我国“五四”新诗传统的自觉接续，并为后来的具有现代主义色彩的新生代诗作了准备和铺垫。
This article from the perspective of comparative literature, the new era of China’s misty poems and Western symbolism poem in the following three levels to do a comparative analysis: one or both of the background; two, two thematic implications; three, two Aesthetic point of view. This article argues that while misty poetry actively draws on the expressions of Western modern literature and art, it has a strong sense of national hardship and heroism permeating the theme of meaning. The tone is basically positive and therefore difficult to classify it into modern It can be said that it is the conscious continuation of our country’s “May 4th” new verse tradition and prepares and paves the way for the new generation of poetry with modernism.