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小提琴诞生于西方,其最初在清朝时期由传教士带入我国,现已成为中国音乐领域的主要演奏乐器。国内的小提琴演奏艺术家认识到小提琴演奏艺术的发展应当坚持民族特色的发展道路,这既是小提琴演奏艺术本土化和民族化的内在发展诉求,同时也是使中国民族音乐得以在世界音乐艺术之林崛起的关键所在。本文将从小提琴演奏艺术的民族化表现入手,对小提琴艺术民族化的现实意义展开论述,以供参考。
Born in the West, the violin was originally brought into my country by missionaries during the Qing dynasty and has now become the main musical instrument in the field of Chinese music. The domestic violinist realizes that the development of the violin playing art should adhere to the development path of national characteristics. This is not only the intrinsic demand for the localization and nationalization of violin playing art, but also enables Chinese folk music to rise in the world of music and arts The key. This article will start with the nationalization of the violin playing art, discussing the realistic significance of violin art nationalization for reference.