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托尼·莫里森小说《秀拉》中的同名主人公长期以来一直被各种评论文章解读为撤旦式人物。本文把该小说放在圣经视域下解读,发现作者通过秀拉塑造的其实是一个耶稣基督形象。通过分析主人公独特的命名、生长背景、出走和死亡经历,她对“大爱”的宣讲、对孩子的友善与慈爱,以及她的两个主要陪衬人物夏德拉克和奈尔的形象,本文认为秀拉身上充满基督性,她不是魔鬼而是天使。由于《秀拉》的创作背景为20世纪六七十年代,和女性主义诠释学的成熟期吻合,本文认为,秀拉的这一隐含形象是莫里森对美国主流文化将神构建为白人男性形象进行质疑和反抗的产物,因而是对黑人女性神学的重大贡献。
The protagonist of the same name in Toni Morrison’s novel “Sora” has long been interpreted by various commentators as a withdrawing Danish character. In this paper, the novel is read from the perspective of the Bible. It is found that what the author created through the Sula is actually an image of Jesus Christ. By analyzing the protagonist’s unique naming, growing background, running away and death experience, her preaching on “Big Love”, her friendliness and kindness to her children, and the images of her two main avatars, Chandrak and Nair, This article thinks that Shura is full of Christ, she is not a devil but an angel. Since Sora was created in the 1960s and 1970s and fits with the maturity of feminist hermeneutics, this article argues that the implicit image of Sula is that Morrison made the construction of God into a white version of American mainstream culture Masculine image of the product of doubt and resistance, and therefore is a major contribution to the black female theology.