“从槐树叶底,朝东细数着一丝一丝漏下来的月光,或在破壁腰中,静对着像喇叭似的牵牛花(朝荣)的蓝朵,自然而然地也能感觉到十分的秋意。说到了牵牛花,我以为以蓝色或白色者为佳,紫黑色次之,淡红者最下。最好,还要在牵牛花底,叫长着几根疏疏落落的尖细且长的秋草,使作陪衬。” “From the bottom of the zelkova leaves, looking out to the east with a trace of the missing moonlight, or in the midst of a broken wall, quietly facing the blue flowers of the petunias (chae-jong) like a trumpet, you can naturally feel very much. When I talked about the morning glory, I thought it was better to use blue or white, followed by purple and black, and the most lighter. The best, but also at the bottom of the morning glory, called for a few sparse The thin, long autumn grass that falls over makes a foil.”