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本文以近十年来中国古装历史影视剧为研究对象 ,从历史和古装历史影视剧的语义学含义入手 ,参考经典电影理论、现代电影理论及相关的文艺理论 ,将其分为后现代古装历史影视剧、现代古装历史影视剧和经典古装历史影视剧三种样式。在此基础上 ,文章结合具体影视剧 ,对这三种样式的艺术与文化分野进行了细致的分析和论述 ,并指出古装历史影视剧创作应力避的享乐主义和功利主义的误区。
Based on the semantic meaning of the historical and costume historical and drama films, this paper takes the historical costumes of Chinese costumes as the objects of study in the past ten years and refers to the classic movie theories, the modern movie theories and the related literary theories, dividing them into the postmodern historical costumes , Modern costume history film and television drama and classic costume history film and television drama three styles. On this basis, the article makes a detailed analysis and discussion of the artistic and cultural divisions of the three styles in combination with the specific film and television drama, and points out the misunderstanding of hedonism and utilitarianism that should be avoided in the production of costumes and historical drama.