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前言 兴德米特在柏林国立音乐学院任教十年后,于1937年发表了他的第一本教材《作曲技法》。他在前言中曾写道:“谁要是不回避‘为什么’这场无休止的战斗,不顾在学生面前丢脸的危险性,对每个新问题深究其源,认真探索,那么,谁就有可能领会这句话——我感到自己有责任,把自己的时间与精力用于研究动听的音乐的发明与创作,并贡献一篇理论性文章。”1939年他的第二本教材《作曲技法(二声部作曲技法练习)》出版了,人们这才知道兴德米特所有教材的内容,都是通过课堂教学检验,才送去付印的。久
INTRODUCTION Ten years after he taught for ten years at the State Conservatory of Music in Berlin, Hindemitt published his first textbook Composer Technique in 1937. In his preface, he wrote: “Whoever does not want to evade the endless” why “fight, regardless of the danger of being ashamed in front of the students, to dig deeper into each new problem and explore it carefully, then who is likely To comprehend these words - I feel myself responsible for devoting my time and energy to the study of the invention and creation of beautiful music and for contributing a theoretical essay. ”His second textbook in 1939, Composition Techniques Second Part Composer Techniques Practice) "was published, and as a result, people realized that the content of all the textbooks in Xingdemei was inspected through classroom teaching before they were sent for printing. Long