《当代人》第十期所选文章颇值得一读。电视剧《丑角爸爸》编剧之一陈建忠的文章《与“丑角”一起走一段路》、“社区文化”栏目文章《耿占雄,一生坚守农民画》等等,读来皆让我有所思、有所悟。《丑角爸爸》为什么能在央视热播?贵刊几篇评论文章从不同角度,给出了回答。但我以为,概括起来只有一点,它是一部现实主义题材的精品力作,是很接地气的。辛集的农民画,经历大起大落、曲曲折折,最终坚持下来的,几乎就剩耿占雄一个人了。农民 The article selected by the “Contemporary” Tenth Period is quite worth reading. Chen Jianzhong, one of the screenwriters of the drama “Harlequin Daddy”, walks a long way with “Harlequin”, “Community Culture”, “Geng Zhanxiong, Lifetime Stick to Peasant Painting”, etc. Think, have enlightenment. Why can “Harlequin Dad” hit CCTV? Several articles in your magazine have given different answers from different perspectives. But I think, summed up only a little, it is a real masterpiece of masterpiece, it is very popular. Xinji peasant paintings, experienced ups and downs, twists and turns, eventually persevered, almost left Geng Zhanxiong alone. Peasants