近年来研究编剧技巧,阐述戏剧创作法的书籍已经出版不少本了,仁者见仁,智者见智,各具特色。金芝编著的《编剧丛谭》(安徽文艺出版社出版)便是其中较优秀的一本。《编剧丛谭》旨在论述戏剧创作的基本理论与技巧,探讨一些带规律性的问题,对于有志于从事戏剧创作的青年人来说,是引导入门的阶梯。这在目前是有现实需要的。初学编剧者极易把这类书中提到的规则看成放之四海而皆准的成法,然而,《编剧丛谭》的作者不信编剧法是万灵宝药,只希望书中提到的基本理论和技巧能成为一种创作的“催化剂”,在广大剧作者具有了思想、生活、文学修养的基础上起到促成、帮助与提高的作用。换言之,他努力避免制造 In recent years, the study of screenwriting skills, elaborated the drama creation method books have been published quite a few, the benevolent see the benevolence, the wise see the wisdom, each with its own characteristics. Jinzhi edited by “screenwriter Tan” (Anhui Literature and Art Publishing House) is one of the more excellent. Writer Cong Tan aims at discussing the basic theories and techniques of drama creation and discussing some regular problems. It is a guide to getting started for young people who are interested in drama creation. This is a realistic need at present. Beginner screenwriters can easily regard the rules mentioned in these books as a universal practice, however, the writer of “Tan Cong Tan” does not believe that the scriptwriting method is a panacea and only hopes that the book mentioned Basic theories and techniques can become a kind of “catalyst” for creation, which plays a role in helping, promoting and improving upon the foundation that the majority of dramatists have thought, life and literary accomplishments. In other words, he worked hard to avoid making it