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最初的旅行无非是为了找寻一件记忆中的衣裳。想起安东尼奥尼,想起《红色沙漠》,想起毒瘴的黄和渍腻的黑,一整片化学污染、废铁弃置的工业荒原。但当美丽忧郁的母亲手牵稚子,精神恍惚地走过荒原,她的那件绿色厚呢及膝大衣,却吸附了所有的惊讶与赞叹。美丽忧郁的意大利女星蒙妮卡·维缇,美丽忧郁的绿色大衣,像萃取了千百颗植物的汁液,像压挤了万顷的绿茵,是无情荒漠中唯一仍在行走移动的绿洲。就是这件绿呢大衣,辗转成为整个冬季眠思梦想的偏执,骚动着对意大利的憧憬臆念、文明的凋零记忆。走入城市,无非是为了再一次在记忆里迷途,循历史的斑驳甬道、意识的暗地角落,寻寻觅觅一件衣裳的可能。
The first trip is nothing more than looking for a memory of clothes. Think of Antonioni, think of the “red desert”, think of poison yellow and picky black, a whole piece of chemical pollution, scrap iron abandoned industrial wasteland. But when the beautiful melancholy mother hands young child, walked trance through the wilderness, her green thick knee-length coat, but all the surprises and admiration. Beautiful melancholy Italian actress Monica Wei Ti, beautiful melancholy green coat, like the extraction of a hundred plant juice, like squeezing a million ares of green, is the only relentless desert walking still moving oasis. It is this green coat, was removed as the winter paranoid dream of paranoid, flirting with the vision of Italy imaginary, withered memory of civilization. Into the city, nothing more than to once again lost in memory, followed the history of mottled corridors, dark corners of consciousness, looking for a search for clothes may be.