李渔 《十二楼》的叙述干预， 表现出他对白话小说的叙述格局中叙述者的控制地位的着迷与自信。他对白话小说的叙述方式的大胆探索与突破， 虚幻地满足了他作为文人对生命价值的追求， 他在自己虚构的时空中麈尾清淡， 名士自我得到了张扬， 《十二楼》的叙述干预，是晚明士风在清初的空中楼阁中的余响。不“尚拘执”①的叙述干预， 标志着文人白话小说家已经从史家意识的压迫中走出来， 小说创作心态得到了解放， 小说创作艺术也就得到了进一步发展 The narrative intervention of Li Yu’s “Twelfth Floor” shows his obsession and self-confidence about the controlling status of the narrator in the narrative pattern of vernacular novels. His bold exploration and breakthrough in the narration style of vernacular novel fictitiously fulfilled his pursuit of the value of life as a literary man. He was light in his fictive time and space, celebrity self was made public and the narration of “Twelfth Floor” Intervention, is the late Ming gentry in the early days of the chateau in the reverberation. The narrative intervention without “arresting” means that the literary vernacular novelists have come out from the oppression of the historian’s consciousness, the psychology of novel creation has been liberated, and the art of novel creation has been further developed