《九歌》作为屈原楚辞系列作品中的重要组成部分,是其在流放过程中感于现实政治与“美政”理想之间巨大冲突所造成的强烈反差,基于强烈的民本思想、恋君情结、宗国意识,借楚地巫祭歌舞表达自己希望楚王能够如神祇降临民间推行“美政”的思想。本文将试从《九歌》创作的背景、神祇意象分析及其在楚辞中的地位几个方面探讨其中蕴含的屈原“美政”理想。 The important part of “Nine Songs” as a series of works by Qu Yuan and Chu Ci is the sharp contrast caused by the huge conflict between real politics and the ideal of “administration of beauty” in the process of exile. Based on the strong people-based ideology, , Love Jun complex, the consciousness of the Sovereign Kingdom, by the Chu Wu Festival offer their own singing and dancing hope that the king can go to God as the only non-governmental implementation of “American politics” thinking. This article will try to explore Qu Yuan ’s ideal of “beauty ” contained in the background of “Nine Songs” creation, the image analysis of the gods and their status in the Songs of the South.