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“秋同清,吹不得情人来到;秋月明,照不见薄幸丰标;秋雁到,带不至冤家音耗,秋云锁巫峡,秋水涨蓝桥。若说是一日三秋也,别后秋多少?”杨昭信编创的舞蹈《望穿秋水》就是透过这蓝色的情调,诉说着茫茫海边生离死别的恋人那刻骨铭心的爱。海的蓝光自天幕的底部上射,划开了云天,蔚蓝的色调顿时清澈起来,充满了新的生机。伴随着清丽的乐声,一群女子的喊号声格外有力,这是劳动的口令,更是劳动者足音的节律。此时群舞全成了静止的造型正烘托着舞台中央两位步态凝重的女子,她们结成了“双人抬”,这是由生活中的劳动形象推演出发,创造出来的舞蹈形象。这个形象化的动作便是这段舞的主题……随后所有的舞者都结成‘双人抬”的对子,在舞台上一遍遍地重复一遍遍的强化着这《石头·女人》的主题。
Qiu Yan Ming, according to see the thin fortunate standard; autumn goose, with no enemy sound consumption, fall clouds lock Wu Gorge, blue sky rose bridge .If it is the third day of autumn also, How many autumn do not? “Yang Zhao Xin’s creation of the dance” look through the autumn “is through this blue atmosphere, tells the boundless boundless sea lover that unforgettable love. The sea of blue light from the bottom of the sky on the screen, open the sky, the blue color suddenly clear, full of new vitality. Accompanied by the elegant music, a group of women’s shouting exceptionally powerful, it is the labor password, but also the rhythm of laborers foot. At this moment, the group dance has become a static model that shows the two gait women in the center of the stage. They form a ”double lift". This is the dance image created from the deduction of the working image in life. This visual action is the theme of this dance ... Then all the dancers formed a pair of ’double lifts’ and repeatedly and repeatedly reinforced the theme of ’stone woman’ on the stage.