元代以后,笔墨语言研究成为中国写意画理论的核心问题,离开了笔墨似乎就无法谈论水墨画。这源于水墨画的表现形式美离不开笔墨的运用,笔墨中蕴涵丰富的意象性。一、笔墨与意象表现笔与墨都是感情的记录,留在画纸上的是画者精神的轨迹,大自然的一根枯藤,一缕轻云,一丛野花,一只飞鸟,都是画家表现精神世界的形式。笔墨是中国写意画所特有的概念,是中国写意 After the Yuan Dynasty, the study of the language of pen and ink became the core issue of the theory of freehand painting in China. It seems that it is impossible to talk about ink painting after leaving the pen and ink. This originates from the expression of the ink-wash, which can not be separated from the use of ink and ink. The ink contains rich images. First, the pen and image performance Pen and ink are feelings of the record, left in the paper is the artist’s trajectory, a withered nature, a ray of light clouds, a bunch of wild flowers, a bird, all It is the artist’s expression of the spiritual world. Pen and ink are unique concepts of Chinese freehand painting and are freehand brushwork in China