这里讲的结构,主要指画面总体结构,类似我们常说的画面构成,也类似传统画论中讲的章法布局、经营位置、布阵列势。旧话重提“结构第一”并不是新主张。李渔针对明清剧论过度重音韵、重词采而轻结构的状况明确提出:结构第一,词采第二,音韵第三。以致日本汉学家青木 The structure here mainly refers to the overall structure of the screen, similar to what we often say the screen composition, but also similar to the traditional theory of painting about the chapter layout, business location, layout potential. Old re-mention “structure first ” is not a new idea. Li Yu accentuates the overemphasis on melody in the Ming and Qing Dynasties, and puts forward the following aspects: the first structure, the second one and the third rhythm. As a result, Japanese sinologist Aoki