意识到现代书法的困境,我开始从书法的文化范畴和书法艺术的内在规律上寻找新的探索方向。其中,对书法与音乐的思考,让我发现了“墨乐”这一重要的尚未被开启的书法之门。2005年6月18日,由旅居英国的诗人杨炼策划,伦敦大英博物馆举行了《“墨乐”思想——艺术》东西方文化先锋对话活动。此次活动有一项重要内容,就是由我和一位英国音乐家进行一场长达40分钟的“无词对话”。在同一个舞台上,音乐家演奏巴赫的大提琴组 Aware of the plight of modern calligraphy, I began to look for a new direction of exploration from the cultural aspects of calligraphy and the inherent laws of calligraphy. Among them, the thought of calligraphy and music made me discover the important not yet opened calligraphy door. June 18, 2005, by British resident poet Yang Lian planning, the British Museum in London held “” Music “thought - art” cultural dialogue between East and West culture pioneer. An important part of the event was a 40-minute speechless dialogue between me and a British musician. On the same stage, musicians play Bach’s cello group