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本文是对1990年代初以来中国大众文化的定型化东北想象的意识形态分析。论文从形塑东北的两种主要表意实践间的矛盾入手,以赵本山的春节晚会小品为中心,通过对审查体制、文类范式、地域/阶级/历史修辞的象征交换、通俗娱乐文化与主流经济话语的耦合等方面的描述和分析,揭示了这种长期风行不衰的地域表述卷入“现代化”中国主体建构的条件、机制、策略和功能。
This article is an ideological analysis of the stereotyped northeastern imagination of Chinese popular culture since the early 1990s. Beginning with the contradiction between the two main ideological practices in shaping the Northeast, the dissertation starts with Zhao Benshan’s Spring Festival Evening Pieces. By analyzing the censorship system, the genre of literature, the symbolic exchange of geographical / class / historical rhetoric, the popular entertainment culture and the mainstream economy Discourse coupling and other aspects of the description and analysis, revealing the long-standing popularity of geographical expressions involved in “modernization ” the conditions, mechanisms, strategies and functions of the Chinese subject.