语言朴素,感情真纯,这是王岩的油画给人的印象.王岩的油画有着很强的语言个性,有人称之为“王岩风格”.他的风格表现为作品中有一种整一的内向性,朴实严整而又略带变形的造型与色调柔和却层次丰富的色彩和斑驳的肌理效果默契结合,形成一个和谐、静穆而又朦胧的整体世界,在朴素坦诚的艺术氛围中传达着画家的内在情感,表述他的心理世界.王岩语言个性的形成以六届美展和七届美展为跨度,其间经历了艺术观念更新的锐变和随之而来的语言变革.其六届美展作品《春风吹来的时候》和七届美展获银奖的作品《黄昏时寻求平衡的男孩》,可以说是其语言变革的代表例证.创作《春 The language is simple, the feeling is pure, this is Wang Yan’s oil painting gives the impression that Wang Yan’s oil painting has a very strong language personality, some people call it “Wang Yan style.” His style is manifested in the work of a A whole of introverted, simple and sober but slightly deformed shape and soft colors but rich colors and mottled texture effect of tacit understanding with the formation of a harmonious, static and mournful the whole world in a simple and frank atmosphere of art Conveying the inner emotion of the artist and expressing his psychological world.Wang Yan’s formation of the language personality spanned the sixth art exhibition and the seventh art exhibition, during which he experienced the sharp change of the artistic concept and the consequent language change. It is arguably the representative example of its language change when the art exhibition “When the Spring Breeze Blows Up” and the silver award winning work of the Seventh Art Exhibition, “Boy at Twilight Seeking Balance.”