自1959年建成以来,人民大会堂就成为全国党代会、人代会、政协会议讨论并决议国家大事的会议中心;同时,它也是党和国家领导人接待各国首脑和国际友人的重要的公共场所。因此,这座宏大的殿堂式建筑天然具有着新中国国家形象的象征意义。在这层意义上,装点着人民大会堂的众多的书画艺术品成为新中国精神风貌和艺术形象的最直观的代表,其中尤以 Since its establishment in 1959, the Great Hall of the People has become the conference center for the discussion and resolution of major national congresses, deputies and political consultative conferences in the country. At the same time, it is also an important public place for the party and state leaders to receive heads of state and international friends place. Therefore, this grand palace-style building naturally has the symbolic significance of the new China’s national image. In this sense, the numerous paintings and calligraphic artworks that have been decorated with the Great Hall of the People have become the most intuitive representatives of the spiritual outlook and the artistic image of New China, especially